《教学与研究》 ›› 2010, Vol. ›› Issue (10): 52-58.DOI:
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吴学琴
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WU Xue-qin
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摘要: 本文从意识形态视角对后现代主义文化思潮进行了反思,解读它在中国流变的三个样板:经典文本的娱乐化、消费方式的符号化和终极信仰的平面化,揭示出它在中国产生巨大影响的隐秘内核,即内生的隐性意识形态。在当代中国,只有找到马克思主义与后现代主义文化思潮的契合点,才能用社会主义核心价值体系引领后现代主义文化思潮。
关键词: 意识形态, 隐性, 后现代主义文化思潮, 反思
Abstract: The paper attempts to interpret the three evolutionary models of the post-modernist cultural trends in China based on a reflection on them from an ideological perspective.The three models are as follows: turning the classical works to entertainment,having the consumption patterns symbolized,and making the ultimate beliefs flattened.The paper probes into the implicit core of post-modernist cultural trends,or the endogenous ideology,that has exerted tremendous influence on China,and concludes that we need to identify the link of Marxism and post-modernist cultural trend in China before we can resort to socialist core values to guide these trends.
Key words: ideology, implicit, post-modernist cultural trend, reflection
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B5
吴学琴. 隐性的意识形态——当代中国后现代主义文化思潮反思[J]. 《教学与研究》, 2010, (10): 52-58.
WU Xue-qin. Implicit Ideology——A Reflection on Post-modernist Cultural Trends in Modern China[J]. Teaching and Research, 2010, (10): 52-58.
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http://jxyyj.ruc.edu.cn/CN/Y2010/V/I10/52